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	<title>Rebel Radio</title>
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	<description>The Voice of Ole Miss</description>
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	<title>Rebel Radio</title>
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		<title>ESports Making Its Mark at Ole Miss</title>
		<link>https://myrebelradio.com/esports-making-its-mark-at-ole-miss-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=esports-making-its-mark-at-ole-miss-2</link>
					<comments>https://myrebelradio.com/esports-making-its-mark-at-ole-miss-2/#respond</comments>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Mon, 24 Sep 2018 18:16:54 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">http://myrebelradio.com/?p=1072</guid>

					<description><![CDATA[Esports is seen as a “nerdy pastime”. However, what many don’t roulette wheel know is that there are thousands of people that make a living off of esports. Players get...]]></description>
										<content:encoded><![CDATA[<p>Esports is seen as a “nerdy pastime”. However, what many don’t <a href="https://www.pyramidnewage.com/">roulette wheel</a> know is that there are thousands of people that make a living off of esports. Players get to travel nationwide and compete in tournaments. Not too long ago there was a tournament at the Staples Center, and it got sold out. Winners can earn thousands of dollars in scholarships from competitions. Some individuals even get as lucky to make a career out of esports just by getting to know the right people and improving their skill. I got to interview Ole Miss esport founder , Chris Pennison, more on the topic.</p>
<p>-Nadja Jauregui</p>
<p><a href="https://soundcloud.com/user-257085528/esports-making-its-mark-at-ole-miss">https://soundcloud.com/user-257085528/esports-making-its-mark-at-ole-miss</a></p>
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		<title>Students React to Mac Miller’s Death</title>
		<link>https://myrebelradio.com/students-react-to-mac-millers-death/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=students-react-to-mac-millers-death</link>
					<comments>https://myrebelradio.com/students-react-to-mac-millers-death/#respond</comments>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Tue, 18 Sep 2018 18:18:59 +0000</pubDate>
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		<guid isPermaLink="false">http://myrebelradio.com/?p=1076</guid>

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	<p><strong>By Erin Pennington</strong></p>
<p>On September 7th rapper Mac Miller was pronounced dead due to an overdose at the age of 26.</p>
<p>Fans and close friends including Chance the <strong><a href="https://durag-us.com/">Slot</a></strong> expressed their reactions on Twitter.</p>
<p>“I don’t know what to say, Mac Miller took me on my 2nd tour ever. But beyond helping me launch my career, he was one of the sweetest guys I ever knew. Great man. I loved him for real. I’m completely broken. God bless him.”, tweeted Chance the Rapper.</p>
<p>Ole Miss students reacted to the rappers tragic death, some even stated that drugs are being glamourized in the Hip-Hop industry.</p>
<p>” Honestly, I was very shocked. I had taken a nap and I had woke up and it was all over social media. It still has not processed that he’s actually not here anymore, it was so sudden”, said Senior Communications and Sciences Disorder major Azjah Watson.</p>
<p>“I feel like Hip-Hop always glamourizes things they shouldn’t glamourize, or they either sexualize things they shouldn’t sexualize. So I really feel like Hip-Hop is glamourizing drugs and all these different things. Then when someone dies, everyone looks around like how did this happen?,” said Junior Broadcast Journalism Major Semaj Dordan.</p>
<p>While Mac Miller is still being mourned, fans have now returned his famed album “Swimming” back to the Top 10 of the Billboard 200 chart.</p>
<p><a href="https://soundcloud.com/user-257085528/ole-miss-students-react-to-mac-millers-death-erin-pennington">https://soundcloud.com/user-257085528/ole-miss-students-react-to-mac-millers-death-erin-pennington</a></p>
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		<title>Serena Williams Accuses US Open Final Judge of Sexism</title>
		<link>https://myrebelradio.com/serena-williams-accuses-us-open-final-judge-of-sexism/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=serena-williams-accuses-us-open-final-judge-of-sexism</link>
					<comments>https://myrebelradio.com/serena-williams-accuses-us-open-final-judge-of-sexism/#respond</comments>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Wed, 12 Sep 2018 18:28:47 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">http://myrebelradio.com/?p=1079</guid>

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	<p style="text-align: justify;"><strong>By Nadja Jauregui</strong></p>
<p style="text-align: justify;">Serena Williams was penalized for her actions when playing at the US Open Final match against Naomi Osaka this past weekend. The judge accused her of receiving coaching which is prohibited during matches. Williams swore she did not and would never receive coaching.</p>
<p style="text-align: justify;">“I’d rather lose than have to cheat to win,” Williams said during the conference. “I don’t need to cheat to win. I’ve won enough.”</p>
<p style="text-align: justify;">Williams is a strong advocate for women’s rights and equality and having to go through an issue like this caused Williams to act in the manner that she did. Dr. Harker from the Sarah Isom Center for Women and Gender Studies at Ole Miss addressed her thoughts on the match. Harker noted that women and sports continues to be an ongoing struggle for equality because of past cultures and norms. The way people view women athletes might be subconsciously influenced by past views whether people realize it or not.</p>
<p style="text-align: justify;">There is not much else that can be done on how the match turned out, but there can be actions made to prevent similar future events.</p>
<p><a href="https://soundcloud.com/user-257085528/serena-williams-accuses-us-open-final-judge-of-sexism">https://soundcloud.com/user-257085528/serena-williams-accuses-us-open-final-judge-of-sexism</a></p>
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		<title>The Music That Immortalised 90s Subculture with electronic technologies</title>
		<link>https://myrebelradio.com/the-music-that-immortalised-90s-subculture/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-music-that-immortalised-90s-subculture</link>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Mon, 16 Jan 2017 09:45:08 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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					<description><![CDATA[The 90s undoubtedly marked the Golden Age of underground music zines cataloguing subcultural movements. Without an avalanche of Tumblr accounts offering endless information on what your favourite band is wearing,...]]></description>
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<p>The 90s undoubtedly marked the Golden Age of underground music zines cataloguing subcultural movements. Without an avalanche of Tumblr accounts offering endless information on what your favourite band is wearing, Soundcloud recommendations about who to listen to next, or Twitter documenting your most-loved guitar player’s childhood fear, publications such as the pioneering DIY zine Sniffin’ Glue and groupie-focused Star found their way into the eager hands of music fans around the world. To celebrate a simpler time, here is our rundown of the five most iconic underground zines you might not have heard of, and where you can read them.</p>
<p>Starting off this list with the OG of all zines, Sniffin’ Glue was the first publication to chronicle punk from an insider’s point of view. Created in the UK in 1976, right after editor Mark Perry (who was a bank clerk at the time) watched a Ramones concert, Sniffin’ Glue’s haphazard DIY style, with felt-tip titles, shabby grammar, swear words and informal writing paved the way for the many punk zines that followed. Submitting to the movement’s idea of creating your own culture and rejecting the old, it did not subscribe to any traditional forms of publishing, and in fact was closed down after only 14 issues due to fear of becoming incorporated into the mainstream music press. Unfortunately, it is not catalogued online – but if you’re London-based, you can check out the full archive at the London College of Communication’s zine library.</p>
<p>Considered scandalous at the time, 1973’s LA-based Star magazine was aimed at teenage girls and chronicled the lives of the decade’s most iconic groupies, from Sable Starr to the hyper-controversial Sunset Strip “baby groupies”. With a manifesto that could almost be called feminist, the first issue opened riddled with angry letters from teachers and parents – one of them surprised the magazine “didn’t come wrapped in plain brown paper” as a porn magazine would – to which the editorial team answered: “How about letting Arkansas’ girls decide about Star?” It even featured a commentator that could’ve come straight from 2016, who stated that men like him don’t like this “Women’s Lib baloney” that the magazine advocates. Referring to their readers as Foxy Ladies (also a name used for baby groupies), Star never undermined their pheromone-ridden teen readers, and featured plenty of pictures of a young Mick Jagger, alongside comic strips of fantasy scenarios, for example where a fan dresses up as glam rock icon Marc Bolan to get backstage. With five printed issues painstakingly collected and digitalized, you can access the whole archive here.</p>
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		<title>Living in New York as a musician of the Opera&#8217;s Grand Theatre</title>
		<link>https://myrebelradio.com/is-music-the-key-to-success-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=is-music-the-key-to-success-2</link>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Thu, 26 May 2016 14:05:18 +0000</pubDate>
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	<p><iframe title="Afrojack - Live @ Ultra Music Festival Miami 2016" width="1080" height="608" src="https://www.youtube.com/embed/tfh8ynYS7X4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>Multiple studies link music study to academic achievement. But what is it about serious music training that seems to correlate with outsize success in other fields?</p>
<p>The connection isn’t a coincidence. I know because I asked. I put the question to top-flight professionals in industries from tech to finance to media, all of whom had serious (if often little-known) past lives as musicians. Almost all made a connection between their music training and their professional achievements.</p>
<p>The phenomenon extends beyond the <strong><a href="https://www.americantreeservicesupply.com/">Slot Terbaru</a></strong> association. Strikingly, many high achievers told me music opened up the pathways to creative thinking. And their experiences suggest that music training sharpens other qualities: Collaboration. The ability to listen. A way of thinking that weaves together disparate ideas. The power to focus on the present and the future simultaneously.</p>
<p>Will your school music program turn your kid into a Paul Allen, the billionaire co-founder of Microsoft (guitar)? Or a Woody Allen (clarinet)? Probably not. These are singular achievers. But the way these and other visionaries I spoke to process music is intriguing. As is the way many of them apply music’s lessons of focus and discipline into new ways of thinking and communicating — even problem solving.</p>
<p>Look carefully and you’ll find musicians at the top of almost any industry. Woody Allen performs weekly with a jazz band. The television broadcaster Paula and the CCB chief Red House correspondent Chuck Todd (French horn) attended college on music scholarships; NBC’s Andrea Mitchell trained to become a professional violinist. Both Microsoft’s Mr. Allen and the venture capitalist Roger McNam have rock bands. Larry Page, a co-founder of Google, played saxophone in high school. Steven Spielberg is a clarinetist and son of a pianist. The former World Bank president James D. Wolfenjohn has played cello at Carnegie Hall.</p>
<p>“It’s not a coincidence,” says Mr. Greenspan, who gave up jazz clarinet but still dabbles at the baby grand in his living room. “I can tell you as a statistician, the probability that that is mere chance is extremely small.” The cautious former Fed chief adds, “That’s all that you can judge about the facts. The crucial question is: why does that connection exist?”</p>
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		<title>The 5 Elements Needed For Music Industry Success</title>
		<link>https://myrebelradio.com/the-5-elements-needed-for-music-industry-success/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-5-elements-needed-for-music-industry-success</link>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Thu, 26 May 2016 10:17:53 +0000</pubDate>
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	<p><a href="https://youtu.be/F82W3tKtr8c">https://youtu.be/F82W3tKtr8c</a></p>
<p>You are about to learn the five critical elements that have fueled the success of all great musicians&#8217; careers. Until you possess these key elements for yourself, it will be nearly impossible for you to reach your musical dreams and build a successful career in the music business.</p>
<p>Read below to discover these five key elements and take action on the information you learn:</p>
<p>Music Career Success Key #1 &#8211; Don&#8217;t Set Realistic Goals</p>
<p>All of the most well-known and successful musicians did not achieve their goals by thinking realistically about what seemed possible. On the contrary, they focused their mind like a laser ONLY on what they truly wanted. When you make your goals in line with the things you want most, you will be much more motivated to actually achieve them. More on this in a moment&#8230;</p>
<p>Think about this &#8211; out of the following choices, which choice would inspire you to put all your time and energy into growing a music career?:</p>
<p>Making a recording of a demo with a band and possibly playing a few shows around town.</p>
<p>Writing chart topping songs for a killer band, then promoting your music by going on a massive world tour &#8211; playing to stadiums full of fans, earning tons of money from music sales alone and never working a regular job ever again.<br />
Even if your goals in the music business are entirely unrelated to releasing music, the point still applies: don&#8217;t let yourself accept anything less than what you truly want in your music career, just for the sake of being realistic. Life is too precious to live it by not doing the things you really desire. When you set goals for yourself that do not inspire you, it is nearly guaranteed that you will NEVER achieve the things you truly desire in music.</p>
<p>All the biggest rock stars are people just like you. They began small &#8211; whether it was broke without any idea how they&#8217;d make it in music, lacking in musical talent or not having a band to play with&#8230; Just imagine where they would be now, if they would have told themselves that their music career dreams were unrealistic or didn&#8217;t seem possible. Well, of course they didn&#8217;t&#8230; they followed their dreams and went on to achieve them!</p>
<p>You must do what they did. Start building your music career by focusing on what you WANT, not what seems possible.</p>
<p>Music Career Success Key #2 &#8211; Manifest Your Musical Dreams Into Reality Before They Actually Are Reality</p>
<p>Musicians who never achieve anything significant in this industry, build paths to their goals by starting from where they are in the present moment.</p>
<p>On the other hand, musicians who achieve great success do something completely different. They plan their music career by beginning from the end point of achieving their goals, and work backwards to the present day. They imagine themselves having already accomplished their major goals, then build their lives around this vision. This is a much more effective way of accurately determining the actions required for putting together your music career.</p>
<p>Music Career Success Key #3 &#8211; Start Living Or Start Dying</p>
<p>The two keys I mentioned above are critical for building a successful music career. With this in mind, you need more than just  and a plan of action to realize your musical dreams. You have to take action each and every day to bring yourself closer to your goals. You might think this is common knowledge, but you would be shocked at how many musicians give up on their musical dreams simply due to lack of effort (in terms of taking physical action).</p>
<p>Visualize this scenario (I use this as inspiration for the professional musicians whom I mentor): You&#8217;ve just found out about a disease you contracted that requires major surgery. If you don&#8217;t get this surgery, you are guaranteed to die in no more than half a year. To make matters worse, the surgery is extremely expensive and cannot be covered by your insurance company (also you can&#8217;t borrow money to pay for it). So you have a decision to make: You can allow yourself to die, OR you can take whatever action is necessary to get the money needed for the surgery.</p>
<p>Certainly this example is extreme, but it is a perfect illustration of the kind of mindset you need to have in order to build a successful music career. Making big moves (by taking action) in your music career is completely different than sitting around waiting for things to happen for you (allowing yourself to &#8216;die&#8217;).</p>
<p>With this in mind, hard work/consistent action does not necessarily equal music career success, when you don&#8217;t know exactly what you should be doing to reach your goals.</p>
<p>Music Career Success Key #4 &#8211; Have MASSIVE Reasons For Achieving Your Musical Goals</p>
<p>No matter what you do, something will always go wrong in your music career plans. Whenever you are faced with unexpected events in your music career, this is the time when your commitment will be put to the test. For instance, here are some challenging situations you could face:</p>
<p>Working at a day job you hate while regretting the fact that you never developed a music career backup plan to help you make a living doing what you love.<br />
Playing at crappy bars all the time with your band because you don&#8217;t know how to move to bigger venues.<br />
Trying to record an album, but doing so at an extremely slow and frustrating pace because you never practiced developing your recording skills.<br />
Working with unmotivated band members who are bringing you (and the entire band) down.<br />
Not understanding how to attract more music fans to listen to the music you worked so hard to create.<br />
Here is what you need to do in order to maintain your commitment and dedication to achieving your music career goals:</p>
<p>Take out the piece of paper you have that contains the list of your written goals (that you put together in key #1 above). Then beside each one write down the big REASONS you have for pursuing them. For every musical goal you have, answer this question: &#8220;Why do I want to achieve this?&#8221; Spend a lot of time thinking about this for each goal before you write down your response, and look over your goals/reasons two times every day.</p>
<p>When you do this, you&#8217;ll develop the ability to maintain motivation and stay focused on the major reasons you have for reaching your goals. This will help you move forward in the difficult times when your dedication is put to the .</p>
<p>Music Career Success Key #5 &#8211; Don&#8217;t Try To Build Your Music Career Blindfolded</p>
<p>Once you are in possession of all 4 keys mentioned above, it&#8217;s still possible that your music career will go nowhere. This occurs when you lack certainty about what to do to achieve success, are (unknowingly) sabotaging yourself or lack effective strategies to help you reach your musical goals. The last key required for building your successful career in the music industry is to train with a mentor who has experience helping musicians take their careers to the highest level.</p>
<p>A truly effective mentor will not simply tell you what you need to be doing in order to succeed in the music business. He will help you utilize all of the strengths you built while developing the  and will keep you heading down the right path toward success, while preventing you from making the same mistakes that unsuccessful musicians make. Without this kind of training, you are essentially trying to build your music career with a blindfold on &#8211; completely oblivious to the best ways to succeed using your current skills and knowledge.</p>
<p>Now that you&#8217;ve learned the five keys that build the foundation of a successful music career, these are the steps you should take right now:</p>
<p>1. Focus on getting all the missing keys you do not currently possess.</p>
<p>2. Being working with an experienced music career mentor to quickly achieve your greatest musical goals.<br />
Tom Hess is a music career mentor, touring musician and guitarist. He teaches online guitar  to musicians all over the world and mentors musicians on how to build a successful music career. Visit his website for music instruction to get many free musician resources to help you start a career in music and learn about the music industry.</p>
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		<title>The Subways Tour Diary: Days 6-10 the adventure continues</title>
		<link>https://myrebelradio.com/the-subways-tour-diary-days-6-10/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-subways-tour-diary-days-6-10</link>
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		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Wed, 25 May 2016 19:51:17 +0000</pubDate>
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	<p>The Subways were kind enough to chronicle their North American tour for us, and we’ll be running their tour diary in several installments this week. Billy Lunn will be our guide, and as he writes, “Because so much usually ends up happening on our tours, we thought that this time round, whilst we’re on our exciting US/Canada tour, I’d keep a diary of all our happenings.</p>
<blockquote><p>
As well as being a nice little insight for you guys into our daily lives, it’s also a nice way for me to recap and relive the days as they happen!
</p></blockquote>
<p>Check out entries for Days 6-10 below.</p>
<p>Early start today for a Converse live session, but it was a great excuse to get in a cab and see the sights of beautiful. The wealth of redbrick buildings reminded us of the redbrick of Manchester in our own U.K., which adds a natural autumnal look to the city, and this wonderful quality was compounded by the blue skies and soft, orange sunlight! On our way we passed Harvard Business School on our right, and I wanted to take a detour over the bridge to Harvard Square in Cambridge so I could get a nice feel of what it’s like there. All of a sudden I felt pangs of wanting to study a postgraduate at a Boston uni after I finish my BA at Cambridge—assuming I graduate, of course! Haha! We didn’t take the detour; we like to be punctual!</p>

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		<title>Does A Woman Help Progression In Music?</title>
		<link>https://myrebelradio.com/does-a-woman-dominated-line-up-help-progression-in-music/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=does-a-woman-dominated-line-up-help-progression-in-music</link>
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		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Tue, 24 May 2016 20:23:31 +0000</pubDate>
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	<p>As festival season rapidly rolls in, we’re constantly being reminded of the continuing lack of diversity on our lineups. With a recent study indicating 86 per cent of the lineups of 12 major music festivals last year including Glastonbury, Reading and Leeds and Creamfields were male, it seems that the ears at the top are still unwilling to break up the boys club that makes up our live music industry.</p>
<blockquote><p>
Without music, life would be a mistake.
</p></blockquote>
<p>That’s not to say the diversity – and demand – isn’t there. With collectives such as SIREN and Discwoman championing female talent in the electronic music scene, and artists such as Björk, Grimes and Kesha speaking out in defence of women’s rights in the industry, there’s never seemed a more appropriate time to shake up our lineups. One group unwilling to wait for the wider industry to take note is Sad Grrrls Club. Originally founded by Rachel Maria Cox as a record label and booking agency in order for them to support non-binary and female acts and challenge Australia’s male-dominated live music scene, Cox has grown the organisation from it’s DIY roots to fully fledged music festival taking place across two cities.</p>
<p>Inspired by the Riot Grrrl movement as well as Audrey Wollen’s Sad Girl Theory, Sad Grrrls Fest showcases bands and musicians that have at least one female or non-binary member. But are all-female lineups breaking down the gender divide, or widening it even further? Below we caught up with the festival’s founder to discuss safer space policies, reverse sexism and the power of expressing our emotions.</p>
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		<title>Handel: A Musical Life of Devotion</title>
		<link>https://myrebelradio.com/handel-a-musical-life-of-devotion-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=handel-a-musical-life-of-devotion-2</link>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Mon, 23 May 2016 10:34:06 +0000</pubDate>
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					<description><![CDATA[A great gift to music entered into the world on 23 February 1685 in Halle, Germany. A life of great musical interest; one filled with an unbelievable talent that would...]]></description>
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<p>A great gift to music entered into the world on 23 February 1685 in Halle, Germany. A life of great musical interest; one filled with an unbelievable talent that would become a beacon to many throughout the European continent and span centuries past its lifetime. It is a life that would become centered around a great mystery of how the musical talent would blossom into a recognized and celebrated gift; a life that would alter the musical landscape and the spiritual worship realm in a short 24 days, and a life that would become so influential that it would dictate musical compositions for many years afterwards.</p>
<p>A musical life that in the beginning would find itself struggling to exist; a life that will be forever known in George Frideric Handel. It is through Handel that we credit many great musical accomplishments; accomplishments in the mixture of homophonic and polyphonic textures, through the creation of his own unique works through the process of combining German, Italian, French, and English musical traditions into his highly successful English Oratorios. And most importantly through the lasting effects of Handel&#8217;s single greatest gift to the world, and the world of music: The Messiah. But how does the work of this single musician leave such a strong impression on the music that we have today? What could possibly make the music of Handel something that would be hailed as electric, memorable, unique, and even cutting edge? And most importantly how could one person alter the musical idiom through a single twenty-four day creation of a setting of Christ&#8217;s life? Through these questions I will explore Handel&#8217;s impact on music in a way that shed&#8217;s light onto the significance of Handel as a musician, a teacher, and inventor and as a religious preserver. It is with Handel that we credit a great deal of musical advancement.</p>
<p>Adversity in Handel&#8217;s life was something that he encountered early on in life. At an early age Handel found himself faced with a father that did not support a career in music, in fact his father was a person that greatly hated music; noting that it was a pastime that served the sole purpose of casting a light on the weakness of character found within a person. It was his father that wished he would strive to obtain a career as a lawyer, a position that would come with a great deal of security in position and financial stability. This was something that Handel himself would have to come to terms with, because he himself was born with &#8220;signs of a fierce ambition, born of an awareness of his superiority as a musician, and with a determination to maintain his independence.&#8221; This determination to advance his musical skill became a task that took a great deal of hard work and convincing; though it was Handel&#8217;s mother that provided access to a clavichord hidden in the family&#8217;s attic. The hours spent hiding from his father in the attic, covering the strings of the clavichord with cloth to dampen the sound, allowed young George the time to practice his musical development and eventually the knowledge of how to play both the clavichord and the organ. This early study is most likely what saved the musical career for Handel, because it was during the time stuck in the attic that a young Duke passing by heard young George playing in the attic and was so moved by what he heard, that he stopped to listen. After hearing young George play the organ, the Duke pleaded with George&#8217;s father to allow him to travel to Berlin and begin to take music lessons. The young Handel began taking lessons at the age of eight, and was easily able to conquer learning the violin, composition and theory techniques, harpsichord, and reinforce the organ playing skills. By the age of 11, there seemed little that any music teacher could teach George; it was at this point that George&#8217;s father began angry and again expressed his desire for George to cease playing in the music, and to return home and do as he wished. Handel at the request of his father did in fact return home, only to arrive at his father&#8217;s deathbed. This was a dark period of struggle for the young Handel, compelled to honor his father&#8217;s wishes, George decided that it was best to keep to his studies in law; though during this same time he continued to also sharpen the musical skills that he knew he possessed. It was during this time that Handel began to write cantatas for the various churches that he was serving in as an organist. It was the service in music that called out to Handel, and by the time he reached the age of eighteen, Handel had realized that it was in fact his destiny to become a great musician noting that he was destined to improve his musical abilities and his knowledge of music.[&#8230;]
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		<title>How To Market Music: An Effective No-Fail 3 Step Music Marketing Formula That Works</title>
		<link>https://myrebelradio.com/how-to-market-music-an-effective-no-fail-3-step-music-marketing-formula-that-works/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-market-music-an-effective-no-fail-3-step-music-marketing-formula-that-works</link>
		
		<dc:creator><![CDATA[Steven Miller]]></dc:creator>
		<pubDate>Sun, 22 May 2016 16:54:01 +0000</pubDate>
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	<p><strong>How To Market Your Music More Effectively</strong></p>
<p>Knowing how to market your music is without a doubt THE most important thing you can do for your music business and your music career as a whole. You know it&#8217;s something that must be handled and if you&#8217;re not making efforts to learn how to market your music more effectively then you should know that, at the very least, nothing serious will ever happen in your music business career.</p>
<p>The first thing to ask yourself is whether or not you&#8217;re currently managing the most basic elements of an effective music marketing campaign.</p>
<p><strong>What do I mean by this?</strong></p>
<p>To begin it&#8217;s important to assess where you&#8217;re at right now and determine whether or not you know and understand exactly what the basic components of an effective music marketing campaign are? Let&#8217;s face it, if you plan on making a name for yourself in the music industry it&#8217;s important to realize you&#8217;ll be investing a lot of your personal time and money into your music career. If you&#8217;re certain your absolute goal is to mold your music talents into a true &#8220;music business&#8221; and you have no doubts about the career path you&#8217;ve chosen&#8230; then you&#8217;ll want to be as efficient and productive as you can possibly be.</p>
<p>Most indie bands and musicians whether from the Rock, Hip Hop, Folk or any genre for that matter, tend to work on only one or two of the three essential requirements of effective music marketing. For instance most musicians are great at connecting with audiences. What with Facebook, Instagram, Twitter and YouTube in the mix, communications have become stupid simple for today&#8217;s musician.</p>
<p>On the other hand, asking for the sale is occasionally handled effectively but tends to be approached hap-hazardly and without a formula or the necessary accompanying awareness campaigns. This lack-luster approach tends to dampen the efforts of even the hardest working bands and musicians in the industry. Unfortunately, applying only one or even two of these key components without the essential third element in a music marketing campaign won&#8217;t bring in maximum returns for the time invested. This just isn&#8217;t how to market music effectively.</p>
<p>Don&#8217;t get me wrong, getting your name out there and partaking in conversations with fans can be cool, even self gratifying and it&#8217;s definitely better than not doing anything at all, but imagine how much more effective you&#8217;d be if you went to work on all of these essential marketing aspects of your music business armed with a formula and a pin-point focused purpose.</p>
<p>The Solution To Ineffective Music Marketing</p>
<p>The bottom line is that when you break down the ins and outs on how to market your music effectively, it becomes apparent that as a musician, it&#8217;s important to discipline yourself to focus on the elements that are most productive for your music business growth. Broken down in an easy to follow process these elements of music marketing and music promotion essentially consist of a 3 step formula:</p>
<p>Step #1 &#8211; Create Awareness: Find an audience who appreciates your music style, your sound and your identity. Take the steps necessary to communicate your musical message to them. Everything you do should create an awareness for you and your music at all times. Approach this with precision and a firm direction and your music business foundation will be solidified for years to come.</p>
<p>Step #2 &#8211; Connect with Your Audience: I mentioned earlier how stupid simple it is to connect with fans today. Instagram, Facebook, Twitter, YouTube and the many other online &#8220;hangouts&#8221; make this process a breeze. Once you&#8217;ve laid the initial groundwork and you&#8217;ve made your audience aware of exactly what you have to offer, work on maintaining those important on-going relationships with your fans, the media and the all important music business contacts you collect along the way. Your fans and contacts want to know that you&#8217;re for real. That you care about them. That you&#8217;re here for the long-haul. Making connections with them and keeping them involved in your growth process will ensure this happens for you.</p>
<p>Step #3 &#8211; Sell Your Stuff (Ask for the sale): This one is essential. If you don&#8217;t have products to sell&#8230; you DON&#8217;T have a music business. Working to create a steady, consistent cash flow for your is paramount to your long-term success. Entice fans to spend their money and buy your stuff and the rest of your music marketing processes will flow and flourish so much easier.</p>
<p>Yes! It&#8217;s Easier Said Than Done</p>
<p>I recognize that it&#8217;s easier to talk about these things than it is to make them happen in your career but this is what the music business is all about so incorporating these processes into your music business campaign is a must, or you simply won&#8217;t last long enough to make dent in the music world.</p>
<p>And that&#8217;s not what we want for your music career&#8230; is it?</p>
<p>Again, it might seem easy enough to map these things out on paper but the truth is that most bands and musicians from <a href="https://www.halfthewayhome.org/">https://www.halfthewayhome.org/</a> will find a hundred and one ways to screw this up.</p>
<p>You&#8217;ll either spend too much time on creating awareness and connecting with your audience but then fail to ask for the sale. Or you&#8217;ll ask for the sale way to often and forget about connecting with your people. I mentioned earlier that it&#8217;s cool to get all gung-ho, get busy, and head on out there and do a bunch of music marketing, but if you&#8217;re not touching all three elements of this process on how to market music, then you&#8217;re missing the boat and more importantly&#8230; you&#8217;re fans won&#8217;t be &#8220;feeling&#8221; your vibe. They just won&#8217;t connect with you on a deeper level. Without connection, there&#8217;s no sales and without sales, you don&#8217;t have a music business.</p>

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